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Mabou Mines

Lee Breuer directs...
www.leebreuer.com
Director, writer, and founding member of this legendary theater company, Lee Breuer balances compelling theatrics with penetrating human insight, an appreciation of classical mythology with genius originality.

  Mabou Mines Dollhouse
Red Beads
Choephorae (The Libation Bearers)
The Gospel at Colonus
Lee Breuer projects in development


Sharon Fogarty directs...

A next-generation Mabou Mines member writes and directs a work of startling originality.

  Cara Lucia



Mabou Mines Dollhouse
(8 actors, 1 musician, puppets)
This Obie Award-winning production continues Breuer’s series of reinvented classics – most recently Peter and Wendy (OBIEs, Outer Critics Circle) – and brings Ibsen’s 19th Century feminism into an equation of power and scale. Shorter-than-average male actors (up to 4 feet tall) contrast women of normal height. The actors perform on a dollhouse set with child-sized furniture. Eve Beglarian's score, a collage of Edvard Grieg's piano works, accompanies each scene and Maude Mitchell’s Obie Award-winning performance brings rare depth and unusual perspective to the role of Nora. Mabou Mines DollHouse turns bourgeois tragedy into high comedy with deep political bite.
Mabou Mines Dollhouse


“A passionate allegory that works – and plays – on many levels. The men embody small-minded convention and stunted possibilities. The women's big forms exude trapped energy, but they also remind us of the outsize roles that women played in the Victorian imagination. There they were angels, monsters, delectable maidens and decadent temptresses. Mr. Povinelli makes us feel Torvald's repressive sexual virility at every turn. Ms. Mitchell keeps us tense to the point of anguish with her ingratiating little cries and compulsive movement. The exaggerations are true to Ibsen. Emotional violence always pulses beneath his stern prose.”

– The New York Times

“...an amazing piece of work. The production is so incredibly packed - with story, theme, metaphor, subtext, visuals, meaningful movement, and delicious acting - that you will be turning it over in your head for some time.”

– The Charleston City Paper (of Spoleto USA 2005 engagement)



www.mabouminesdollhouse.com

Choephorae (The Libation Bearers) Premiering May 2006

The second part of Aeschylus' ancient Greek dramatic trilogy which chronicles the murder of Agamemnon by his wife in revenge for the sacrifice of their daughter Iphigenia, Clytemnestra's killing by her son Orestes, and Orestes' resulting trial and acquittal, this unique production will be sung by an all female cast. Choephorae is being commissioned by Patras, Greece, Cultural Capital of Europe 2006 and produced by PrimeArt S.A. in association with Mabou Mines and Micocci Productions, LLC.



RED BEADS
      Writer/Director, Lee Breuer.   Composer, Ushio Torikai.   Puppetry, Basil Twist.
Based on an original story by Polina Klimovitskaya

An investigation into the art of opera and puppetry, Red Beads explores a haunting fantasy centering on an enduring literary theme: a young girl’s coming-of-age, in which she is promised her mother’s necklace of 13 red beads on her 13th birthday. The daughter’s ascension to womanhood and her mother’s corresponding demise is marked by a to-the-death battle with the mother swelling to a witch-like sentinel at the portal of womanhood as the girl clings to her beads.

RED BEADS

Red Beads uses vertical choreography – a synthesis of aerial acrobatics, contact improvisation and Japanese ceremonial dance – and wind puppetry to animate this symbolic tale. This is a visually stunning and aurally haunting fable evoking the dreamscape of Edgar Allan Poe. Premiering at the NYU Skirball Center for the Performing Arts in New York City in September 2005.

www.redbeads.info





The Gospel at Colonus
Featuring the Blind Boys of Alabama

Conceiver and director, Lee Breuer.
Composer, Bob Telson
Produced by Dovetail Productions

This unique musical theater production opened BAM’s Next Wave Festival and continued to Broadway and international fame. One of our civilization’s most enduring tragic tales, this timeless presentation of the Oedipus myth in powerful Gospel form bridges race and creed and is guaranteed to move audiences emotionally and physically. Recently featured on the 70th Anniversary season of New York's renowned Apollo Theater.

The Gospel at Colonus has won a kind of immortality for itself that’s rare on our fickle stage and it has lost none of its grace and fire. If it fails to stir you, you may want to check your own vital signs.”
- The San Francisco Examiner

www.gospelatcolonus.com
The Gospel at Colonus


Cara Lucia
      Writer/director Sharon Fogarty   
      Composer, Carter Burwell
      Featuring, Ruth Maleczech


A fragmentary, impressionistic version of the life of Lucia Joyce (1907-1982), the daughter of James Joyce. Joyce is said to have believed that Lucia inherited his creativity and that his finishing Finnegans Wake would somehow ward off her illness. Featuring one of America's greatest actresses, Ruth Maleczech, in a multi-media context, Cara Lucia is a powerful exploration of the forces at work in the life of a most enigmatic woman. A Mabou Mines classic in the making!

www.maboumines.org

Youth Advisory: All Mabou Mines productions are appropriate for adults and mature youth

Cara Lucia